* “Calvary’s Cry” (featuring Brian Free) is a worthy addition to the ever-growing ranks of “cross songs.” With a lyric that strives successfully to steer clear of cliches and a rich musical composition, it’s a standout project ballad.
* “I Want to Be That Man,” co-written by Lee Black and Brian’s son Ricky, is as good as many classic BFA favorites and offers a chance for Brian to soar vocally. With a strong lyric in the vein of “Find Us Faithful” or “A Man You Would Write About,” it’s a perfect fit for the group and will make a powerful live number. Lee shared a little bit about the inspiration for this song with me:
I guess there were several things inspiring us… we wrote the song in June of last year after Brian had recently lost both parents (Ricky’s grandparents) in the span of less than a year, Ricky and his wife were expecting their first child in a little over a month, and I was thinking about my four children. We were talking about how grateful we were for a Christian heritage and the desire to leave that kind of legacy to our own kids. So we were definitely thinking about our fathers, our grandfathers, and our children.
* “Revival” is the most musically interesting number on the album. It’s set in a minor key and moves at a pretty brisk country clip. The production sounds fresh and provides a welcome change of pace. The lyrics are a well-written plea for God’s spirit to move in the Church, at a time when many souls have grown lukewarm or cold to Him.
* “Guard Your Heart” deals with spiritual purity, which isn’t a “stock” topic like the cross, heaven, or prayer.
* “Nothing But Love” is a good peppy opener, but it felt almost too light and fluffy, particularly for BFA.
*The loud track to “I Will Be Praying” makes the song a bit of a chore to listen to, even though the lyric is quite well-written.
*A number of these songs were musically and/or lyrically reminiscent of previous BFA tunes, except not as good. I couldn’t shake the “I liked this better when it was called [fill-in-the-blank]” feeling when listening to songs like “It’s Quite a Valley” (cf. “Goodness and Mercy” or “If It Takes a Valley”), “If the Lord Says Do It” (cf. musically and lyrically with “God Will Close the Door”), or “There is Power” (cf. lyrically with “Turn the Page”). None of the new ones are bad per se, just less creative and memorably crafted than we’ve heard from BFA before. Even “Guard Your Heart,” which I praised lyrically, felt like a lesser musical cousin to “Remind Me of the Cross.”
*The obvious hymn-bridge insertion for “There is Power.”
*The deliberately distorted/over-programmed vocals at the beginning of “You Can Be a Bridge.”
This is a good solid project, but it’s not on par with recordings like Never Walk Alone, Live In New York City, or It’s So God!. It feels a little phoned-in by comparison, although there are definitely some stand-out moments. But stylistically, it delivers exactly what fans of BFA have come to expect, and I expect it to do well.
Rating: 4 stars.
Review copy provided.