Many have commented that 2016 was thicker than usual in celebrity deaths. But some of those deaths have felt crueler and more poignant than others. (I for one couldn’t care less whether Prince lived or died. Sue me.) The comparatively young death of Carrie Fisher has come as a particularly sad shock to cap the year off. Tributes from various friends and associates have poured in, all emphasizing her sharp wit, humor, and honesty. It’s struck me that Fisher’s distinct un-sappiness as a person has rendered this outpouring less syrupy than the usual “dead celebrity tributes” fare. She was a complicated personality with lots of hard edges and dark corners, and she spoke about those hard, dark parts of herself with disarming candor.
Some fans are just now learning that Carrie Fisher was married: once only, to rock legend Paul Simon of Simon & Garfunkel fame. Their stormy, whirlwind romance gets extensive treatment in Peter Ames Carlin’s new Simon bio Homeward Bound, from which some pertinent excerpts are provided here. It’s painfully sad reading. Carlin paints a vivid picture of two people who had extraordinary sympatico, yet were so deeply dysfunctional that neither one could handle the other’s pain. They shared a fierce intelligence and a melancholy bent that inevitably drew them together. There are stories of titanic fights between them that would dissolve all of a sudden because they began to laugh helplessly at each other and themselves.
However, there’s no denying that their marriage was spectacularly ill-advised. Fisher’s bipolar disorder and drug abuse weren’t things that could be pushed under the rug. They were an ever-present ball and chain. Coupled with Simon’s own ongoing depression, and topped off by a tragic miscarriage, they inexorably dragged the marriage down to its doom, a mere year later. Interestingly, it was Fisher, not Simon, who made the final decision to cut it short, no doubt believing it was best for both of them.
As is typical with such things, this wasn’t the end of the story. Simon and Fisher maintained an on-again, off-again relationship for a number of years thereafter, before Fisher once again decided to break it off for good.
Musically, some of Simon’s best work came out of this relationship, most famously the song “Graceland.” Fisher is the “she” who “comes back to tell me she’s gone, as if I didn’t know that, as if I didn’t know my own bed.” However, Simon wrote another song about their relationship that slipped through the cracks at the time: the title track for a flop project called Hearts and Bones, which has been revived as something of a cult classic in recent years. While the stature of “Graceland” is undeniable, and the track understandably more ear-catching, “Hearts and Bones” is, for my money, the deeper and more poignant lyric of the two. It traces “the arc of a love affair” between “one and one half wandering Jews” (Fisher was half-Jewish), from marriage to divorce. One might mistakenly think it was written in the wake of their separation, but eerily, it was actually written on the cusp of their marriage.