Part 2 here.
For those who are interested, I have written some thoughts on the life and legacy of Christian musician, writer, wise guy and unofficial saint Rich Mullins at The Stream here. As I write this late at night, it was twenty years ago this night that his life abruptly ended in a car crash. Later, it came out that neither he nor his passenger was wearing a seatbelt–a boneheaded thing, but as those who knew him could have told you, it was typical of Rich’s particular brand of boneheadedness. Most of the time, it just made him a little weird and iconoclastic. This time, it cost him his life. A lot of people he touched are pretty sore about that, including me.
Anyway, there was a time when you couldn’t browse a Christian magazine stand or turn on Christian radio without hearing the music of Rich Mullins. With the state of the CCM industry today, his success feels, in hindsight, like a dream–a weird, miraculous dream, the kind you have once and never have again. (More analysis here, for music and music biz nerds only.) Nevertheless, it has been twenty years, and that dream is fading from the collective consciousness of the American church. The worship choruses and songs Mullins wrote (partly in collaboration with friends) were the fabric of a childhood that I’m forced to admit is long gone. I doubt this would shock him. He was a canny guy, and he understood music business. He predicted exactly when his first smash, “Awesome God,” would be a smash. He also predicted when it would fall completely out of use. That’s part of why people love him: He was a no B. S. kind of guy. He knew exactly who he was and never pretended to be anything else.
I remember when I first discovered Rich Mullins. I was in high school, and I was browsing an old shelf filled with books, CDs, dry pens and cobwebs. My dad had a small collection of discs that he’d bought but didn’t have time to listen to anymore. One of them was Songs, by Rich Mullins. At the time, I had a portable SONY CD player. I pulled it out the other day. It needs new batteries. It sits on my desk now as I write. When I slipped that CD into that player, the first notes to come out were Rich’s spin on Bach’s Fugue #2 in C minor (sadly, transposed to a different key). I was hooked.
The next song was the one and only “Awesome God,” that legendarily cringe-worthy chorus at which my generation winces whenever it floats to the surface of our memory. Some ear-worms die hard. But the verses had always been fuzzy, and I heard them as if for the first time. Those verses, man. So weird. So cool. I find them even more so when I read that they came out of Rich in a spontaneous moment of improv while taking 16 hours to drag a trailer up a hill for a gig that was 8 hours away. He was bored and tired, his buddy was bored and tired, so what do you do when you’re bored and tired? If you’re Rich Mullins, and hence a little weird, you make like you’re an old black gospel preacher and start riffing. You take the Old and New Testaments and make a gumbo out of them. Out of that, you manage to pluck out an insanely hooky chorus. Then you try to remember it all for 16 hours until you can get to a piano and record a crappy demo. Then you hit stop, look up at your buddy and go, very quietly, “I think it’s gonna be big.”
Continue reading “20 Years, 20 Songs: A Rich Mullins Countdown (Part 1)”