Toe-to-Toe: Ball Brothers vs. Mullins, “Who’s Gonna Stand in the Gap?”

BB vs. M

[Update: Brian has pointed out that Squire Parsons also recorded this song himself back in the 80s. If you’d like to hear that version for yet a third take, click here.]

Since some readers took offense at my appropriation of Steve Eaton’s “Smackdown” title for this series, I’ve given it a new name so as to accommodate everyone. šŸ™‚ Today, I’m taking a hot new track off the Ball Brothers’ releaseĀ Pursuit (review scheduled for next week)Ā and comparing it with an old acappella version by the Mullins. The song is “Who’s Gonna Stand in the Gap?” written by Squire Parsons. Squire’s songs consistently deliver for me. He just seems to knock it out of the park every time, and this resounding call to action is no exception. It’s like a contemporary “Dare to Be a Daniel,” exhorting Christians to stand proudly for God.

The Ball Brothers’ version is the standout track on their new project and pulls out all the stops for a big band swingfest, while the Mullins’ version is more soulful. I was happy to discover the album that the Mullins’ version comes from, Vocal Point. Classy acappella reminiscent of the Haven of Rest Quartet or Glad. You can listen to both versions on Spotify. Check out the MullinsĀ here. Then check outĀ the Ball Brothers here. Which do you prefer? To me, there is a clear winner, but I will let you be the judge!

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Smackdown: Adam Crabb vs. Michael English, “Please Forgive Me”

A limited edition recording of the new Gaither Vocal Band has been leaked to Youtube. The report is that this table project will not be sold in any common retail outlets, so if you happen to grab a copy at a concert, congratulations! There’s no new material, just slightly different vocal arrangements over pre-existing tracks for songs like “My Lord and I,” “Why Me, Lord?” and “The Baptism of Jesse Taylor.” One of the songs being re-done is “Please Forgive Me?” Of course, this is a Crabb Family original, but the Gaither Vocal Band’s arrangement upped the vocal ante several notches. It’s interesting to hear Adam Crabb take over what has now become a Michael English signature tune. Take a listen to the new lineup’s take on it. Update, July 31:Ā Or don’t, now that the copyright police dogs have sniffed out and broken this link.

As an extra little bonus, here is someĀ live footage of the current lineup on the dramatic breakdown:

Now refresh your memory on Michael English’s version. Which do you prefer?