It’s probably safe to say that Fanny Crosby was the most prolific American hymn-writer, perhaps the most prolific of all hymn-writers. She wrote so many thousands of hymns that her publishers literally couldn’t read them all. I’ve always wondered whatever happened to all those unpublished hymns.
Just recently, I was pointed to a radio podcast that answers my question. Those unpublished hymns were, quite literally, stuffed into a box and forgotten. That box was eventually donated to Wheaton College, where it continued to collect dust and be forgotten.
In that broadcast, which you can stream here Nashville producer Bobby Blazier explains the remarkable process whereby these hymns were discovered and have now been set to music by some of the best artists in the industry. But it almost never happened. As Blazier recalls, “They [Wheaton] didn’t know what to do with it. Who cares about Fanny Crosby?” A friend of Blazier’s found out that the box was there and lobbied for permission to get into it. At first, Wheaton discouraged him, saying on the one hand, “They’re fragile, and we wouldn’t want anything to happen to them,” and on the other hand, “Who cares anyway?” which I find amusing. So his friend undertook the cost of copying every one of the forgotten hymns, then preserving them in print and on a backup drive.
Blazier then took them to Integrity Music, who agreed to publish a compilation album of the poems set to new music. Artists ranging from Michael W. Smith to Ricky Skaggs to southern gospel’s own Ernie Haase & Signature Sound were invited to participate in the project. The Blind Boys of Alabama, appropriately enough, were also among the artists invited to participate, and Blazier describes how moving it was for them to be involved. You can hear preview snippets of them exclusively on the Public Square interview. At around 47:00, they play a minute-long clip of Ricky Skaggs’s contribution, a haunting minor-key setting of one called “All is Well.” I’m already noticing that her signature of including explicit or implied references to sight runs through these unpublished works, as it did through her well-loved standards:
All is well, for thou art near
Gracious Lord, thy voice I hear
Though the clouds may veil the sky
My steps are led by your sweet light
All is well, all is well
For thy peace within me dwells
In your presence, fears dispelled
Loving Savior, all is well
At the very end of the interview (around 53:00), Blazier mentions another poignant discovery from the box: thank-you notes to her publishers, when they would give her a little extra money over and above what was agreed on for her songs. “I will be able to feed so many people with this ten dollars,” one note reads. She was so broke near the end of her life that she and her husband came close to being evicted. But ten dollars would show up on the doorstep, allowing her to pay the rent.
I don’t know about you, but I can’t wait for some of these like-new hymns to bump some worship pabulum off the music rosters of churches everywhere. The album will be released in October, but you can see a track-listing here. Signature Sound will be featured on one called “I Have Found a Priceless Treasure.”