20 Years, 20 Songs: A Rich Mullins Countdown (Part 2)

Part 1 Here.

In which I continue the process of spotlighting the 20 songs of Rich Mullins that I think are the most enduring, the most memorable, the “desert island” collection I would hand to someone who was hearing his music for the first time. (But not without a long list of honorable mentions.)

One of the things that impresses me most about the work of Rich Mullins in hindsight is its versatility. He could write classically cheesy 80s pop/rock in the vein of Mr. Mister or Toto. He could write dreamy, Carpenters-style ballads. He could write pop classical take-offs and piano-abusing growlers a la Billy Joel. Here you might interject that you don’t really need that kind of versatility in your life and give him a pass. But that would be a shame, because you’d be missing his nitty-gritty bluegrass, his Springsteenian soul, his country twang, his smart taste in folk covers new and old, and his Dylan-and-Simon-esque treks across the American landscape. And worst of all, you’d miss his unique, sometimes purely instrumental touch on instruments you’d never heard of, like hammered and lap dulcimer (and the inexplicable way he turned such instruments into the stuff of #1 singles).

Part 2 of our countdown continues to showcase that versatility across my hand-picked selection of tunes. Part 1 already included a number of favorites, but I’ve kept what I feel are some of the very best for second.

Continue reading “20 Years, 20 Songs: A Rich Mullins Countdown (Part 2)”

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20 Years, 20 Songs: A Rich Mullins Countdown (Part 1)

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Part 2 here.

For those who are interested, I have written some thoughts on the life and legacy of Christian musician, writer, wise guy and unofficial saint Rich Mullins at The Stream here. As I write this late at night, it was twenty years ago this night that his life abruptly ended in a car crash. Later, it came out that neither he nor his passenger was wearing a seatbelt–a boneheaded thing, but as those who knew him could have told you, it was typical of Rich’s particular brand of boneheadedness. Most of the time, it just made him a little weird and iconoclastic. This time, it cost him his life. A lot of people he touched are pretty sore about that, including me.

Anyway, there was a time when you couldn’t browse a Christian magazine stand or turn on Christian radio without hearing the music of Rich Mullins. With the state of the CCM industry today, his success feels, in hindsight, like a dream–a weird, miraculous dream, the kind you have once and never have again. (More analysis here, for music and music biz nerds only.) Nevertheless, it has been twenty years, and that dream is fading from the collective consciousness of the American church. The worship choruses and songs Mullins wrote (partly in collaboration with friends) were the fabric of a childhood that I’m forced to admit is long gone. I doubt this would shock him. He was a canny guy, and he understood music business. He predicted exactly when his first smash, “Awesome God,” would be a smash. He also predicted when it would fall completely out of use. That’s part of why people love him: He was a no B. S. kind of guy. He knew exactly who he was and never pretended to be anything else.

I remember when I first discovered Rich Mullins. I was in high school, and I was browsing an old shelf filled with books, CDs, dry pens and cobwebs. My dad had a small collection of discs that he’d bought but didn’t have time to listen to anymore. One of them was Songs, by Rich Mullins. At the time, I had a portable SONY CD player. I pulled it out the other day. It needs new batteries. It sits on my desk now as I write. When I slipped that CD into that player, the first notes to come out were Rich’s spin on Bach’s Fugue #2 in C minor (sadly, transposed to a different key). I was hooked.

The next song was “Awesome God,” a chorus which I was already thoroughly sick of at that young age. But the verses had always been fuzzy, and I heard them as if for the first time. Those verses, man. So weird. So cool. I find them even more so when I read that they came out of Rich in a spontaneous moment of improv while taking 16 hours to drag a trailer up a hill for a gig that was 8 hours away. He was bored and tired, his buddy was bored and tired, so what do you do when you’re bored and tired? If you’re Rich Mullins, and hence a little weird, you make like you’re an old black gospel preacher and start riffing. You take the Old and New Testaments and make a gumbo out of them. Out of that, you manage to pluck out an insanely hooky chorus. Then you try to remember it all for 16 hours until you can get to a piano and record a crappy demo. Then you hit stop, look up at your buddy and go, very quietly, “I think it’s gonna be big.”

Continue reading “20 Years, 20 Songs: A Rich Mullins Countdown (Part 1)”

My Top 10 Love Songs (Valentine’s Day 2017)

harmonia Vetor

Once upon a time, I gave you my top five underrated love songs (at the time). Once upon another time, I gave you my top five love songs (at the time). Notice a pattern? Like most “top 5/10/20 things” lists, my list of love songs is a many-splendoured, ever-changing thing. Certainly, I would keep some things, but not all, and others I would now add without a second thought.

Herewith, my top ten love songs. A few ground rules: no breakup songs. No Bryan Adams. No Air Supply. No Richard Marx (Dad, can you forgive me?) No Bette Midler. No Kenny Rogers. And no Lionel Richie. Absolutely no. Decidedly no. Uh-uh. Also, my mom will kill me if I put “Just the Way You Are” on here even though I kinda like that one. (Don’t tell anyone, I prefer we keep this between us.)

All right, now that we’ve got that out of the way, herewith, My Top Ten Love Songs As Of Right Now, c. Midnight on Valentine’s Day, 2017.

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My Top 10 Gospel Songs of 2015

Top 10 SG Songs Album Cover collage

Christmas break has afforded me the pleasure of picking through the best of the best in 2015’s new southern gospel releases. I was able to review some of the albums these songs come from within a reasonable period of the time they came out, but alas, not all. Looking on the bright side, this meant I got to discover some great songs for the first time just as I was preparing this top ten list.

As usual, I have avoided including covers and traditional hymns, focusing on the best material that was brand new to 2015. Thankfully, many talented writers turned in some of their best work this year, including a new talent named Rachel McCutcheon. She co-wrote three out of ten of these songs, the highest single percentage of any contributing writer on this list. Other “double-dippers” include Kenna Turner West and Tony Wood. Most people probably wouldn’t recognize Tony by name, but I learned a lot about the craft of CCM songwriting from him growing up, especially through the songs he wrote with Scott Krippayne back in the 90s. I’m glad to see that he’s found an avenue through which he can continue to turn out songs.

Below the fold, I’ll provide a countdown of the songs with some bits of lyric and comments, then at the end, a playlist for your listening pleasure. Thanks to all the talented artists and writers who reminded me why I keep coming back to this music!

Continue reading “My Top 10 Gospel Songs of 2015”